The Tortoise, from Apollinaire. Le Bestiaire ou Cortège d’Orphée 1978-9
etching and aquatint
signed, numbered and dated
an edition of 75
66 x 88 cm
PRICE ON APPLICATION
GRAHAM SUTHERLAND
British artist Graham Sutherland worked with both glass and fabric to create prints and portraits. His core inspirations included religion (he designed the giant central tapestry for in the rebuild of Coventry Cathedral) and the works of Paul Nash, Samuel Palmer and Pablo Picasso. Working initially in watercolour and later oils, Sutherland spent the 1920s, 1930s and 1940s painting romantic, sometimes surreal British landscapes – one of his favourite places to paint was the Pembrokeshire coast, calling it the place he “began to learn painting”
The Tortoise, from Apollinaire. Le Bestiaire ou Cortège d’Orphée 1978-9
etching and aquatint
signed, numbered and dated
an edition of 75
66 x 88 cm
PRICE ON APPLICATION
THE SWIMMER, 1973
lithograph
signed, numbered and dated
an edition of 75
76 x 60 cm
PRICE ON APPLICATION
THORN STRUCTURE, 1973
lithograph
signed, numbered and dated
an edition of 75
76 x 60 cm
PRICE ON APPLICATION
COMPOSITION, 1973
lithograph
signed and inscribed
50 x 49 cm
PRICE ON APPLICATION
COMPOSITION, 1973
lithograph
signed and inscribed
66 x 50 cm
PRICE ON APPLICATION
THORN STRUCTURE, 1973
lithograph
signed, numbered and dated
an edition of 75
76 x 60 cm
PRICE ON APPLICATION